| H | C | Diff | |||||||
| Movements at walk | |||||||||
| 1 | Enter at a collected canter | 6.5 | 7 | ±0.5 | |||||
| 2 | Halt on hindquarters. Immobility. Salute. Exit in medium walk. | 7 | 7.5 | ±0.5 | |||||
| 3 | Perform a figure 8 formed by two circles with a same diameter of 8 meters in medium walk | 6 | 7.5 | ±1.5 | |||||
| 4 | Pirouette in walk to one of the hands | 7 | 5.5 | ±1.5 | |||||
| 5 | Pirouette in walk on other hand | 7 | 6 | ±1 | |||||
| 6 | Extended walk in straight line (min. 20m) | 6 | 6.5 | ±0.5 | |||||
| 7 | Halt. Immobility. Rein back 6 to 10 steps. Exit in medium walk | 5 | 6.5 | ±1.5 | |||||
| 8 | Half pass to one side up to quarter line. Counter change of hand at half-pass. Half-pass to the other side from quarter line to three quarter line. Counter change of hand at half-pass to center line. | 7 | 5.5 | ±1.5 | |||||
| Movements at trot | |||||||||
| 9 | Transition to collected trot | 6.5 | 6 | ±0.5 | |||||
| 10 | Tight circles (max. 10m), travers, one to each hand | 7 | 6 | ±1 | |||||
| 11 | Diagonal at medium trot | 5.5 | 4 | ±1.5 | |||||
| 12 | Collected trot. Halt. Immobility. Rein back between 6 and 10 steps. Immediate exit at collected canter. | 6 | 6 | ||||||
| Movements at canter | |||||||||
| 13 | Describe 3 circles to one hand: all the circles must begin and finish at the same point, successively reducing each radius by 3m (ex.: 20m-14m-8m). First circle in extended canter, second circle in medium canter, third circle in collected canter. | 6 | 5.5 | ±0.5 | |||||
| 14 | Flying changes | 4.5 | 7 | ±2.5 | |||||
| 15 | Describe 3 circles to other hand: all the circles must begin and finish at the same point, successively reducing each radius by 3m (ex.: 20m-14m-8m). First circle in extended canter, second circle in medium canter, third circle in collected canter. | 5 | 6 | ±1 | |||||
| 16 | Half turn to one of the hands in the shortest possible number of steps and without affecting mobility of canter | 6 | 5 | ±1 | |||||
| 17 | Flying change | 6 | 6 | ||||||
| 18 | Half turn to the other hand in the shortest possible number of steps and without affecting mobility of canter | 6 | 4.5 | ±1.5 | |||||
| 19 | Change of canter on three sides of arena. Extended on the longest side of the arena, collected on the short side, and extended again on the next long side. | 6 | 6.5 | ±0.5 | |||||
| 20 | Describe a serpentine with 4 loops, with flying changes at every crossing of the center line. | 4.5 | 4 | ±0.5 | |||||
| 21 | Center line. Immediately start extended canter. Halt on hindquarters. Immobility. Salute. | 7 | 7 | ||||||
| 22 | Paces - Freedom and regularity | 2 | 6 | 6.5 | ±0.5 | ||||
| 23 | Impulsion - Desire to move forward, elasticity of the steps, suppleness of the back and engagement of the hind quarters. | 2 | 6 | 6 | |||||
| 24 | Submission - Attention and obedience, lightness and ease of the movements, acceptance of contact. | 2 | 6.5 | 6 | ±0.5 | ||||
| 25 |
Rider - Position and seat of the rider Correct use and effectiveness of the aids. |
2 | 7 | 7 | |||||
| 26 | Presentation of horse/rider. Music and sequence. | 7 | 8 | ±1 | |||||
| 1st error: -5pts | |||||||||
| 2nd error: -5 pts | |||||||||