C | Diff | ||||||||
Movements at walk | |||||||||
1 | Enter at a collected canter | 6,5 | |||||||
2 | Halt on hindquarters. Immobility. Salute. Exit in medium walk. | 6 | |||||||
3 | Perform a figure 8 formed by two circles with a same diameter of 8 meters in medium walk | 6,5 | |||||||
4 | Pirouette in walk to one of the hands | 6 | |||||||
5 | Pirouette in walk on other hand | 6 | |||||||
6 | Extended walk in straight line (min. 20m) | 6 | |||||||
7 | Halt. Immobility. Rein back 6 to 10 steps. Exit in medium walk | 6,5 | |||||||
8 | Half pass to one side up to quarter line. Counter change of hand at half-pass. Half-pass to the other side from quarter line to three quarter line. Counter change of hand at half-pass to center line. | 6 | |||||||
Movements at trot | |||||||||
9 | Transition to collected trot | 6 | |||||||
10 | Tight circles (max. 10m), travers, one to each hand | 6,5 | |||||||
11 | Diagonal at medium trot | 5 | |||||||
12 | Collected trot. Halt. Immobility. Rein back between 6 and 10 steps. Immediate exit at collected canter. | 6,5 | |||||||
Movements at canter | |||||||||
13 | Describe 3 circles to one hand: all the circles must begin and finish at the same point, successively reducing each radius by 3m (ex.: 20m-14m-8m). First circle in extended canter, second circle in medium canter, third circle in collected canter. | 6,5 | |||||||
14 | Flying changes | 5 | |||||||
15 | Describe 3 circles to other hand: all the circles must begin and finish at the same point, successively reducing each radius by 3m (ex.: 20m-14m-8m). First circle in extended canter, second circle in medium canter, third circle in collected canter. | 6 | |||||||
16 | Half turn to one of the hands in the shortest possible number of steps and without affecting mobility of canter | 7 | |||||||
17 | Flying change | 6 | |||||||
18 | Half turn to the other hand in the shortest possible number of steps and without affecting mobility of canter | 6 | |||||||
19 | Change of canter on three sides of arena. Extended on the longest side of the arena, collected on the short side, and extended again on the next long side. | 5 | |||||||
20 | Describe a serpentine with 4 loops, with flying changes at every crossing of the center line. | 4 | |||||||
21 | Center line. Immediately start extended canter. Halt on hindquarters. Immobility. Salute. | 6,5 | |||||||
22 | Paces - Freedom and regularity | 6 | |||||||
23 | Impulsion - Desire to move forward, elasticity of the steps, suppleness of the back and engagement of the hind quarters. | 5,5 | |||||||
24 | Submission - Attention and obedience, lightness and ease of the movements, acceptance of contact. | 6 | |||||||
25 |
Rider - Position and seat of the rider Correct use and effectiveness of the aids. |
6,5 | |||||||
26 | Presentation of horse/rider. Music and sequence. | 7 | |||||||
1st error: -5pts | |||||||||
2nd error: -5 pts |